BLURB: The last person Griffin Shipley expects to find stuck in a ditch on his Vermont country road is his ex-hookup. Five years ago they’d shared a couple of steamy nights together. But that was a lifetime ago.
At twenty-seven, Griff is now the accidental patriarch of his family farm. Even his enormous shoulders feel the strain of supporting his mother, three siblings and a dotty grandfather. He doesn’t have time for the sorority girl who’s shown up expecting to buy his harvest at half price.
Vermont was never in Audrey Kidder’s travel plans. Neither was Griff Shipley. But she needs a second chance with the restaurant conglomerate employing her. Okay—a fifth chance. And no self-righteous lumbersexual farmer will stand in her way.
They’re adversaries. They want entirely different things from life. Too bad their sexual chemistry is as hot as Audrey’s top secret enchilada sauce, and then some.
MY THOUGHTS: I loved this book. I admit, I was kind of disappointed there was no hockey hottie (my intro to Bowen was thru her hockey romance series) but by about chapter 3, I was hooked. The primary and secondary characters are so well crafted, the dialogue and editing are spot-on & I even learnt heaps about Vermont, organic farming, restaurant supply chain & (nom nom) cider. If you don’t like the sensual scenes, I would still recommend reading this title. There’s a lot to enjoy.
I’m already deep into Steadfast, book 2. FYI, I brought these titles on my Kindle, & they are widely available in e and print versions.
Author interview: https://www.heroesandheartbreakers.com/blogs/2017/09/sarina-bowen-bittersweet-and-true-north-news
SYNOPSIS: Connie Carter has lost everybody and everything dear to her. To help nurse her grieving heart and to try and find answers, she moves from her home in America to Ludlow Hall, deep in the Irish countryside. All she knows about Ludlow is that her late husband spent all their money on the house – without ever mentioning it to her. Now Connie needs to know why.
At Ludlow Hall, Connie befriends Eve and Hetty and is introduced to the somewhat curious Ludlow Ladies’ Society. But can Connie ever reveal her hurt? And, more importantly, can she ever understand or forgive? As the Ludlow Ladies stitch patchwork memory quilts to remember those they have loved and lost, the secrets of the past finally begin to surface.
REVIEW: I found this novel both freeing and heart-breaking all at once, kind of like a modern Maeve Binchey. Not wanting to be too dramatic about it, but the first time my daughter went away on access, it felt like I had lost her. That doesn’t put me anywhere near the scope of anyone whose child has died, but it did allow me to empathise with the behaviour and mind-set that Connie portrayed. The way the author unfurls the characters is organic (I know, I’m getting all fancy up in here) and the pace suited the story and themes.
There are obvious things that happen (which I won’t go into) but even those enhance the plot and character growth. Easy five stars & one on the re-read shelf.
As per, I don’t seek to fund this site so the following link is non-affiliate. I was introduced to the title through Bookbub, but you can read a sample chapter on the publisher’s site HERE & find links to various purchasing sites. I’m definitely going back for the author’s two previous titles!
Format: Kindle (own purchase)
Synopsis: Hoping to make a clean break from a fractured marriage, Agatha Christie boards the Orient Express in disguise. But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.
Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.
Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.
I picked this one up in the new year sales on a whim, & started reading this weekend in my wait for the TV programme Maigret (yes, I know he’s not written by Christie, but it was the era that triggered my whim). And this has the hallmarks I love about historical fiction – the basis of the story is true, the side characters existed (in fact, it’s hard to pick which one of the main characters is fiction if you don’t know much about Christie, like me) & the period is beautifully written. I won’t really expand on the jacket synopsis, as I don’t think that I need to, but I will say this – READ THIS BOOK. Or listen. It’s that good. I’m going to be looking for more from Ashford very soon.